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Warning: date() [function.date]: It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected 'America/Los_Angeles' for 'PDT/-7.0/DST' instead in /home/hadar3/public_html/blog/wp-includes/functions.php on line 109
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Art Review: Macoto Murayama
H. annuus
In Japan there is a saying: “unsan mushō”, which means- to disappear without a trace. When first seeing the work of Macoto Murayama, a Tokyo based artist, this phrase is instantly evoked in the mind. Like an ethereal fog, or a physical spirit apparition there is something both otherworldly but at the same time overtly biological about his art. One can find him or herself lost and perplexed by the complexity of his renderings, and ironically, in the simplicity of the image as a whole.
It can take Murayama months to create just one of his renderings. Starting with the physical dissection of captured organisms he will sometimes use a microscope to see all of its otherwise invisible characteristics. He then painstakingly sketches every detail of his subject onto paper before lastly, digitally scanning it to create a high resolution, three-dimensional computer composite.
Digital art is nothing new. It has been around in various forms since the 1970’s with the newly discovered employment of computerized modeling technology. Benoît Mandelbrot, the French mathematician, first used geometrical equations to create his famous “Fractal” images. Geometrical shapes that reflect naturally occurring mathematical sequences as found in biology, such as a leaf or an ice crystal.
It seems that today’s society has become so saturated by digital art that it now seldom recognized or noticed. It inundates our every day life from product advertisement to animated Pixar movies.
But Murayama’s work stands out. Not simply because it is ‘fine art’ separated from commercial media on a platform of pretention or theory, and also not because it ground breaking in the sense of the tools employed in its creation. It stands out because of his unique method and vision, and because of the extreme difficulty and vast complexity in its creation.
With the wide accessibility to advanced software it has perhaps been made too easy to use technology as a crutch, or even a cheat. But for Murayama, technology is instead used selectively like a single imperfect flower or branch in the ancient Japanese art of ikebana, expressly harmonizing his vision with careful and deliberate clarity.
